William Banks Fortescue

William Banks Fortescue (1850-1924) was a genre painter. Before taking up painting, and studying in Paris, he spent some time as an engineer of design. His subjects were landscapes, genre relating to ships and boats, and still-life. In 1883 he went to Venice for further study. He became associated with the Newlyn School and had a close friendship with fellow painter Stanhope Alexander Forbes.

 Woman by Lily (1886)

  

 Cowslip Gatherers (1884)

  

 Medical Attention

  

Picking Daffodils

Philip Richard Morris

 A Flaw in the Will

  

 Changing Pasture

  

 Charles Edward Flower, Brewer and Benefactor (1891)

  

 Home, Sweet Home

  

 Homewards

  

 The End of the Journey (ca. 1870)

  

 The First Communion, Dieppe (1878)

  

 The Good Samaritan (1857)

  

 The Highland Laddie's Return

  

 The 'Nancy Lee' of Great Yarmouth

  

 The Reaper and the Flowers

  

 The Return from Communion

  

Varens

Henry Towneley Green

Henry Towneley Green (1836-1899) was a watercolor painter and illustrator.

 A Sussex Glade

  

 Horse-drawn Carriage in the Snow (1898)

  

 Interior, Woman Rising from Chair

  

 Scrumpers 1867)

  

 The Woodland Encounter (1866)

  

Young Woman Seated in a Kitchen Interior (1895)

Landscapes

 Adrian Stokes: Uplands and Sky (1886-88)

  

 Aster Chantry Corbould and Joseph Adam: The Secret Glen (1861)

  

 Charlotte Nasmyth: A Highland Loch Landscape (1849)

  

 George Cole: Early Morning on the Tamar, Devon (1872)

  

 Joseph Horlor: A Milkmaid with Cattle Crossing a Bridge, Wales

  

Colin Hunter: Changing Pastures (1898)

Henry Scott Tuke

Henry Scott Tuke (1858-1929) was associated with the Newlyn School. He specialized in maritime scenes and depictions of young men and boys bathing in the sea.

 A Three-masted Ship at Anchor

  

 All Hands to the Pumps (1889)

  

 At the Metal Merchant (1888)

  

 August Blue (1894)

  

 Off Falmouth (1896)

  

 Return from Fishing (1907)

  

 Shipping at Anchor, Carrick Roads (1898)

  

 Sunset Effect (1896)

  

 The Midday Rest

  

 The Silk Gown (1885)

  

 Two French Barques at their Anchorage in Carrick Roads (1906)

  

Windjammers Lying on their Moorings as they wait for Cargo in Falmouth (1908)

Thomas Heaphy

There were two Thomas Heaphys - father and son - who painted. I am unsure who did these. Best guess: first one by the father, and last two by the son.

 The Fortune Teller

  

 Robin Hood and Maid Marian

  

Woman with Cockatoo

John L. Wimbush

 It's hard to imagine two more opposite scenes than these two.

An Opium Den at Lime Street

 

Waiting for a Bite (1901)