Sunday, October 20, 2013

Albert Chevallier Tayler

Albert Chevallier Tayler (1862-1925) specialized in portrait and genre painting, but also was involved with the Newlyn School and practiced plein air painting.

 A Day at the Market (1887)
  
 Dress Rehearsal (1888)
  
 Elizabeth Barrett Browning (1909)
  
 Feeding Time (1884)
  
 Not Lost But Gone Before (1886)
  
 Saint Francis (1895)
  
 Silk and Satin (1900)
  
 The Council of Three (1888)
  
 The Mirror (1914)
  
 The Quiet Hour
  
The Thames at Benson (1912)

Saturday, October 19, 2013

James Aumonier

James Aumonier (1832-1911) was a landscape artist who worked in both oil and watercolor.

 Sheep-Washing in Sussex (1889)
  
Hay Gathering
  
 Haymaking Near Amberley
  
 The Labourer's Home (1879)
  
Where the Water Lilies Grow

Friday, October 18, 2013

Charles Robertson

Charles Robertson (1844-1891) was an Orientalist painter.

 Arab Traders, Cairo
  
 Cairo
  
 In the Name of the Prophet, Alms! (1877)
  
 The Carpet Seller (1881)
  
The Flower Market, Damascus
 
 The Tombs of the Cailiffs, Cairo (1872)
[it's usually spelled "Caliph" but this is the title as given by the artist]
  
 View of Dover

Thursday, October 17, 2013

Edmund Blair Leighton

 A Wet Sunday Morning (1896)
 
 Dinner Time (1918)
  
 Fame
  
 Sally (1895)
 
 September
  
 The Dedication (1908)
   
 The Golden Train (1891)
   
 The Rehearsal (1886)
  
 The Ticket
  
Where There's a Will (1892)

Tuesday, October 15, 2013

James Stephanoff

James Stephanoff (1788-1874) was the son of a Russian stage designer who settled in London. Stephanoff became the official 'Historical Painter in Watercolours' to King William IV (reigned 1830-37). These paintings of royal residences remind me of these by a Russian artist; perhaps the fact that Stephanoff was of Russian extraction accounts for the similarity?

 Buckingham House, East Library
  
 Buckingham House, Octagon Library (1818)
  
 Buckingham House, The Queen’s Breakfast Room (1817)
  
 Buckingham House, the Saloon (1818)
  
 Buckingham House, the Staircase (1818)
  
 Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v (1832)
  
 Hampton Court Palace, Throne Room (1818)
 
 Kensington Palace, Old Drawing Room (1818)
  
 Kensington Palace, Presence Chamber (1816)
  
 St James's Palace, the Kitchen (1819)
  
 The Banquet of Henry VIII in York Place (Whitehall Palace) (1832)
  
 The Second Presence Chamber, Hampton Court
  
 Windsor Castle, King's Drawing Room (1817)
  
 Windsor Castle, Kitchen
  
Windsor Castle, The Queen’s State Bedchamber (1818)

Monday, October 14, 2013

Richard Beavis

Richard Beavis (1824-1896), a prolific painter in oils and watercolours, was born at Exmouth, Devon, the son of William Beavis (a shoe maker) and Elizabeth (nee Taylor). Richard spent most of his childhood at Sidmouth where 'his boyish leanings towards art were sternly repressed by his father'. Richard resisted his father's attempts to bring him up in his own trade and, instead, 'passed his time in scribbling all over the white washed walls of the house, very clever sketches intended for horses, dogs, cows, sheep and sundry other objects of everyday life - a species of pastime that caused many quarrels in the house'.

In 1846, with the encouragement of friends, Richard left home and made his way to London where he became a student in the Government School of Design at Somerset House. In 1850 he became designer to Messrs Trollope, a firm of decorators, and with him as designer the firm competed successfully for three international competitions. His earliest exhibited works at the Royal Academy were schemes of decoration executed for them.

However, Richard aspired to greater things and during his leisure moments continued to practice both in oils and watercolours. After exhibiting several times at the British Institution he obtained the admission in 1862 to the Royal Academy of two pictures - A Mountain Rill and Fishermen Picking Up Wreck At Sea. The artistic and financial success of these works was sufficient to justify him devoting himself to purely artisitic production and he became a regular contributor to the exhibitions. In all he exhibited over three hundred works in the principal London exhibitions. [source]

 Cattle and Sheep in a Watermeadow (1874)
  
 Halt of Prince Charles Edward on the Banks of the Nairne (1878)
  
 Highlander Driving the Sheep (1863)
  
 Over the Heath, Picardy (1872)
  
 Removing Wreck from the Sea Shore, Coast of France (1871)
  
 The King's Cavalry Moving into Position for a Charge at Naseby
  
Tilling the Fields Before Mount Carmel