Ebenezer Newman Downard

Ebenezer Newman Downard (1830?-1889?) was a genre and landscape painter who exhibited at the Royal Academy between 1849 and 1889. In his use of meticulous detail and clear, bright light, some of his landscapes show the influence of the Pre-Raphaelite painters.

 A Mountain Path at Capel Curig, Wales (1860)

 

 Morning Prayer (1860-61)

 

 Winter Landscape with Fox and Hares

Frederick Goodall

 Puritan and Cavalier (1886)

 

 Summer Song (To Tinkling Lute…) (1863)

 

 The Deserter (1855)

 

 The Drinking Trough, A Scene in Brittany (1857)

 

 The Irish Piper (1847)

 

 The Ploughman and the Shepherdess: Time of the Evening Prayer (1897)

 

 The Sheikh's Daughter Sowing the Dourah (1889)

[dourah is a variety of sorghum]

 

 The Subsiding of the Nile, Egypt (1873)

 

 The Thames from Windsor Castle (1890)

 

The Virtuous Boy (1870)

William McTaggart

We've seen him before.

 A Wet Harvest Day (1894)

 

 Autumn Sunshine in Sandy Dean (1890)

 

 Port Seton (1894)

 

 Sunset Glamour (1894)

 

The Past and the Present (1860)

Valentine Cameron Prinsep

Valentine Cameron Prinsep (1838-1904) was a Pre-Raphaelite painter.  One of his aunts, Julia Margaret Cameron, was a pioneering British photographer, while his other aunt, Maria Jackson, was the grandmother of Virginia Woolf. 

 A Venetian Gaming-House in the Sixteenth Century

 

 A Water Carrier

 

 Ayesha (1887)

 

 Bathing in the Ganges

 

 Carmen

 

 Cinderella

 

 Death of Siward the Strong

 

 For the Bread of the Needy is Their Life

 

 In a Street in Venice

 

 La Revolution

 

 Lady Frances Layland-Barratt

 

Leonora of Mantua

John Samuel Raven

John Samuel Raven (1829-1877) was primarily a landscape artist.

 The Rooks' Parliament (1858)
 

Saint-foin in Bloom

Walter Dendy Sadler

Walter Dendy Sadler (1854-1923) was a genre painter.

 A Good Story (1881)

 

 For He's A Jolly Good Fellow

  

 Girl on a Bench (1879)
 

 London to York - Time's Up, Gentlemen

 

 Summer on the River (1878)

 

  The Fishing Party (1874)

 

 The Suitor

 

 Thursday (1880)

 Friday (1882)

 

 His Favourite Bin

 

The Butler's Glass

Samuel Colman

Samuel Colman (1780-1845) was an English painter of the "Bristol School". He painted in a dramatic and unusual style. The only other painter I'm aware with a similar style is John Martin.

 Delivery of Israel out of Egypt

 

 St. James Fair, Bristol (1824)

 

 The Death of Amelia (ca. 1804)

[about this painting]

 

 The Destruction of Pharaoh's Host (ca. 1830)

 

 The Destruction of the Temple (ca. 1830-40)

[about this painting]

 

The Temple of Flora