Tuesday, September 18, 2012

John Frederick Lewis

John Frederick Lewis (1804-1876) was best known as an Orientalist painter. He drew inspiration for his paintings from extended stays in Spain and Cairo.

 A Cairo Bazaar (1875)

 A House in Cairo

 Easter Day at Rome (1840)

 Edfu, Upper Egypt (1860)

 Girl with Two Caged Doves

 Greeting in the Desert, Egypt (1855)

 Harem Life in Constantinople (1857)

 Highland Hospitality (1832)

 In the Bey's Garden, Asia Minor (1865)

Indoor Gossip, Cairo (1873)

Monday, September 17, 2012

Joseph Mallord William Turner - Rome

Paintings of ancient and modern Rome by JMW Turner.

 Ancient Italy, Ovid Banished from Rome (1838)

Ancient Rome; Agrippina Landing with the Ashes of Germanicus (1839)

 Ancient Rome (engraved by A. Willmore) (1859-61)

 Caligula’s Palace and Bridge (1831)

Forum Romanum (1826)
 Modern Rome; Campo Vacino (1839)

 Rome from Mount Aventine (1836)

 Rome, The Colosseum

View of Orvieto, Painted in Rome (1828, reworked 1830)

Friday, September 14, 2012

Lord Frederic Leighton, ctd

 The Daphnephoria (ca. 1874-76)

The Fisherman and the Syren (1856-58)

 The Golden Hours (1864)

 The Music Lesson (1877)

 The Painter's Honeymoon (1864)

 The Reconciliation of the Montagues and Capulets 
over the Bodies of Romeo and Juliet (1853-55)

 The Return of Persephone (1891)

 The Syracusan Bride (1865-66)

Winding the Skein (1878)

Thursday, September 13, 2012

William Holman Hunt, ctd

 Rienzi Vowing to Obtain Justice for the Death of his Young Brother, 
Slain in a Skirmish between the Colonna and Orsini Factions (1848)

 Self-portrait (1867)

 The Afterglow in Egypt (1860-63)

 The Birthday (1868)

 The Children's Holiday (1864)

 The Finding of the Savior in the Temple (1854-60)

 Study of the Heads of Mary and Jesus for 'The Finding of the Savior in the Temple' (1858)

 The Lady of Shalott (begun 1886, exhibited 1905)

 The Old Church at Ewell (1847)
In an early visit to his relations [in Ewell] in 1847, Holman Hunt painted the old church, of which only the tower now stands. The vicar, Sir George Glyn, offered to buy the picture if it was done well. The figures were added later. The architectural details are accurately recorded, and Hunt may have known that the building was threatened - it was to be demolished a year later. He did allow himself a little artistic licence with his signature, which can be found on the third gravestone from the right in the foreground. After its purchase by Sir George Glyn, the painting went missing but many years later was found in an old building in time to be shown at the Tate Gallery in their Pre-Raphaelite exhibition of 1984. [from Pre-Raphaelites, based on an account by Jeremy Harte, Curator of Bourne Hall Museum]
 The Triumph of the Innocents (1883-84)

Valentine Rescuing Sylvia from Proteus (1851)

Wednesday, September 12, 2012

Myles Birket Foster, ctd

 Chartres

 Children Paddling in a Stream

 Girl Outside a Cottage

 Hambledon, Surrey

 Harvest Time

 Lane Scene in Hambledon (exhibited 1862)

 Melrose Abbey from the Banks of the Tweed

 Old Shoreham Bridge, Sussex

 Playing With Baby

Rochester From the River

Tuesday, September 11, 2012

Benjamin Leader, ctd

 Blue Bells

 By Mead and Stream (1893)

 Clive Lock on the Thames (1873)

 Derwentwater from Ladore, Morning

 North Wales

 Old Mill, Bettws-y-coed (1875)

 Old Streatley Mill (1873)

 On The River Conway Near Bettws-y-Coed (1899)

 On the Borders of Dartmoor (1881)

Outskirts of a Farm (1860)